Monochrome photography holds a fascination for a lot of people. Non-photographers frequently find themselves attracted to a grayscale picture that looks great. You may find things in your picture that isn’t so readily shown in a colour picture when you begin working with monochrome photography.
For many digital photographers, black and white photography is nothing more than colour photography converted by the use of software applications. It’s an issue on your own judgment whether this is successful for the photos. Occasionally a picture you believe will make an excellent black and white photograph will disappoint; occasionally a picture you never envisioned to be good will surprise you.
Nevertheless, most serious photographers will let you know when the photographer by choice sets out with black and white pictures has what he/she is looking for, that the greatest black and white photographs are taken. This creates an entirely different mindset when it comes to how you approach and select your topic. You may, for instance, begin to see possibilities in a range of topics you’d never consider for colour photography.
Here are several simple suggestions to assist you to get started if you’ve never really had a serious go at monochrome photos.
Selecting a Subject
Photographer \ Steve Wassell
Some subjects lend themselves but aren’t nearly so powerful in black and white. By way of example, sundown photos seldom create a good grayscale picture, and rely on the colour of a great heavens for his or her impact.
With old fashioned subjects, it usually works well because this can be an ‘old fashioned’ medium. Pastoral things like old farm equipment, a tumbledown shack, an old wooden fence all can be excellent subjects for black and white photographs. Age also can be a variable when photographing individuals.
This is only able to be a brief post, so these examples are only the tip of the iceberg. Once you begin thinking in black and white you’ll discover many excellent sources for photography.
‘Seeing’ Your Issue In Black And White. You must visualize how it is going to look without colour, when you approach your topic. Attempt to look at it in relation to contours and lines, shadows and contrasts. You are going to start to see your issues in a completely new light.
Use The Light To Improve Impact
Photographer \ Frank van Haalen
As a nature photographer, black and white photographs are frequently photographed by me rather differently from colour photographs.
You’ve likely learned the rule that the greatest landscape photography is done late or early in the day when sunlight is not high and the light is gentle and even. Well, for the reverse I regularly look in monochrome photography. To create better definition I ‘ll regularly shoot my pictures through the central part of the day, to create more heavy shadows to emphasise forms and the lines in the composition. I’m also inclined to shoot pictures looking straight toward sunlight, to create silhouettes that make the most of windmills, trees and other contours that are powerful against the sky.
So you might be looking for light in a black and white photo that would be considered unsuitable and unflattering for a colour photo.
See it’s all about camera techniques and settings, not about the creative strategy. The truth is most of the time, black and white needs no technical expertise that is distinct. You don’t always need to alter the way you use your camera to shoot black and white photos.
If you need to stretch your horizons and love photography, I will be certain you’ll enjoy experimenting with black and white. It may open your eyes. All the best and happy photography!